Wolf Keys · the Atlas on canvas
Every print in our houses is from one series, drawn on one press — sky, a disc, a horizon, a silhouette, the name set into the scene. If you liked the one above the bed, it is not a hotel print you cannot find again. It has a name, and you can have it.
Printed to order on museum-weight satin paper and posted to you. Canvas is different — the stretched canvas is only sold to someone who slept under it, signed and numbered, with the house and the dates on the back. That one you take home from the room.
A series by Ken Wolf · Cuban-American · Naples, Florida the story, and how it is made
The artwork is drawn 3:4. Sizes marked full frame hold it exactly; the others crop a little top and bottom, which we would rather tell you here than have you notice on the wall.
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Prices in US dollars, shipping included within the United States. Sales tax is added at checkout where it applies.
On the wall of a Wolf Keys house, with a small card beside it. Scan the card and you land here with that city already chosen.
Choose a size, tell us where to send it. We confirm by email the same day — a person reads every order.
Printed to order on stretched canvas and posted direct to you. Nothing is warehoused, so nothing is ever out of stock.
Hotels, inns and managers can fit out a whole property at trade prices. [email protected].
I am Ken Wolf. I am Cuban-American, I live in Naples, Florida, and I have spent my working life around houses — selling them, insuring them, closing on them, and now looking after the ones people stay in.
The Atlas started because of a wall. Every rental I walked into had the same nothing above the bed: a beige square, a stock photograph of a beach that is not the beach outside. Guests remember a room by one thing, and it should not be the one thing the owner thought about least. So I set a house style — flat colour, hard edges, a sky, a sun, a horizon, a silhouette, the city's name set into the scene — and I have been building the series out city by city ever since. It is nearly four hundred cities now.
I am not a famous artist. Nobody has heard of me. But every one of these was decided on — which city, which hour of the day, which landmark, and just as often which landmark not to draw. That last part is most of the work.